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The point of adaptation is not direct transposition, of course. And Kirke for the most part is altogether brushed aside as “the wife.” You don’t bring Jemima Kirke in to be the wife! Lane - so surprising in American Honey - plays Bobbi bitter and biting, with none of the unpredictable spark she carries in the novel. Sasha Lane and Jemima Kirke, two of the last decade’s most unexpected and magnetic talents, play Bobbi and Melissa, the two significantly more dynamic characters. There’s not even enough chemistry to sustain them through the affair’s first go-round. Here? Boredom, maybe, and conventional television attractiveness.
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Why are these two so attracted to each other? In the book, it’s a series of flirtations, quick and direct, a sense of danger and escape from both of their all-too-normal lives. And as Nick, Joe Alwyn takes the bait, sadly, as he trudges around gloomily.
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Oliver is unassuming, and sometimes funny, but an otherwise passive performer, purely reactive to those around her. Starring newcomer Alison Oliver as Frances, Conversations with Friends follows her every doe-eyed move as she upends a long-term relationship. But Hulu’s version, sadly, has been stripped of dialogue and reasoning, of conversation and intellect, reduced to a blurry fog of moody and graphic sex scenes and passive-aggressive texting. The thrill of the novel was the betrayal of two passive characters, selfishly acting out against their active and unpredictable other halves. In the novel, the reason for the affair is multifold: It’s an examination of perceived power and sexual curiosity (on the part of Frances, who has only previously been with women) as well as biting portrayal of the selfishness of young people. Over the course of the show, Frances and Nick start and end and start and end and start and end an affair. The story is that of two couples: Frances and Bobbi, college-aged ex-girlfriends who perform spoken-word poetry together, and Nick and Melissa, a somewhat notable C-list actor and writer, both in their mid-30s, both more of a name in Dublin than anywhere else in the world.
#CONVERSATIONS WITH FRIENDS TV SHOW FULL#
It’s a shame, then, that the BBC and Hulu adaptation of Conversations with Friends has been woefully dumbed down and ironed out, full of awkward silences and unearned longing. The dialogue is engaging and smart, the characters talking of Slavoj Žižek and Patricia Lockwood, their words often hiding underlying power struggles and emotional tensions between them. Upon rereading Rooney’s debut, I found Conversations with Friends to be anything but.
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That a book can and should be enjoyed at the beach has often been code for an object of derision: The novel is too casual, too feminine, too chatty, too simple. I once saw someone at a nightclub holding it. Rooney’s first novel, which was released in the spring of 2017, was a sensation. Indeed, for a show set in approximately 2018 or 2019, this would be the book to have on the beach. In the last episode of Succession’s second season, Shiv Roy - in the midst of an argument with her husband Tom - is clutching a copy of Sally Rooney’s Conversations with Friends, which she brought with her to read out on the coast of the Adriatic Sea.
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